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''The Bower of Taste'' (1828–1830) was a periodical edited by Katherine Augusta Ware〔Katharine Augusta Rhodes Ware (1797-1843) was a writer and editor in Boston. Born in Quincy, Massachusetts, to Dr. Rhodes, she married "Charles A. Ware, U.S. Navy" in 1819. In 1839 she "removed to Europe ... and remained there until her death, at Paris, in 1843." Cf. Samuel Austin Allibone. A critical dictionary of English literature, and British and American authors living and deceased. Philadelphia: J.B. Lippincott, 1871〕 in Boston, Massachusetts, in the 19th century. Contributors included Albert Pike,〔Susan B. Riley. An Early Appearance of the Classic-Romantic Ode: Albert Pike's "Hymns to the Gods." Arkansas Historical Quarterly, Vol. 22, No. 4 (Winter, 1963), p.355.〕 Thomas Edwards and Margaret Snow."〔Georgia Barnhill. The Introduction and Early Use of Lithography in the United States. 67th IFLA Council and General Conference, August 16-25, 2001.〕 The bi-weekly magazine ceased in May 1830.〔The magazine began with v.1, no.1 (Jan. 5, 1828) and ended with v.3, no.11 (May 29, 1830). Cf. (Boston Athenaeum catalog ). Retrieved 05-11-2010.〕 ==History== The magazine evolved from a previous publication, the ''Spectator and Ladies' Album'' published in Boston by Ingraham & Hewes. The publishers "announced on December 29, 1827, that their paper would appear the following week in a new form under the management of Mrs. Katherine Ware, and be called in the future the Bower of Taste."〔Bertha M. Stearns. Early New England Magazines for Ladies. New England Quarterly, Vol. 2, No. 3 (Jul., 1929), p.447.〕 "''The Bower'' printed theatrical notes, and its idea of 'Belles-lettres literature' was the usual Gothic, Oriental, or sentimental tale, and imitation of an 18th-century essay, and a tinkling or sonorous reminiscence of () Moore or Byron."〔Lawrence Martin. The Genesis of Godey's Lady's Book. New England Quarterly, Vol. 1, No. 1 (Jan., 1928), p.46.〕 Weekly (then bi-weekly after 1828) issues of ''The Bower'' included, for instance:〔Titles from Bower of Taste, various issues. List compiled in: Lawrence Martin. The Genesis of Godey's Lady's Book. New England Quarterly, Vol. 1, No. 1 (Jan., 1928), p.51.〕 * "Tales: 'The Mysterious Bridal; 'The Magician's Visiter.'" * "Essays copied from British magazines, such as 'The Character of Byron,' by Walter Scott." * "Polite essays and sketches in the manner of Addison and Irving: 'On Genius;' 'The Reminscences of a Dandyzette.'" * "Anecdotes garnered from the British press." * "Literary notes. Marriages and Deaths." * "Light editorials: Thanks given that present modes have little tendency to disguise the human form; like artists, people of taste wish to preserve the outline of nature as distinctly as possible 'with due reference to delicacy.'" * "Poetry: translation of 'L'Imitation,' from a Paris paper, 'Le Diable Boiteux.' 'Cupid and Venus.' 'To Sarah on a Faded Rose in a Volume of Anacreon.'" Representative was a review of an 1828 production of King Lear at Boston's newly established Tremont Theatre, starring Junius Brutus Booth. "This gentleman is a true disciple of nature's school in every part he assumes. In those scenes where the noble energies of the mind seemed struggling with infirmities of age, he was inimitable. ... We regret that Mrs. Parker should have been appointed to sustain the part of Goneril. She is a pretty woman, but wholly unequal to that task."〔Bower of Taste, v.1, no.41, Oct. 11, 1828.〕 Some issues featured word games, such as the logogriph published February 9, 1828. Will Shortz explains: "in a logogriph, clues were given for a keyword, from which various letters were selected to make new, shorter words that answered other clues."〔For this particular logogriph, "the answer ... was 'woman,' from which the words 'man,' 'no,' 'now,' and 'won' were found." Cf. William F. Shortz. Early American word puzzles. ''Word Ways''. 1975; pp. 26–27. (Butler University digital commons ). Retrieved 05-11-2010〕 Ware commissioned engraved illustrations for some issues. "We have at considerable additional expense, presented in our last volume, four plates, all expressly designed and executed for our paper, and the encouragement offered by the public, the same number will be furnished for the ensuing year."〔The Bower of Taste 1, no. 12 (March 22, 1828): 190. Quoted in Barnhill, 2001.〕 "Typical of the plates in this magazine are the 'Insane Hospital' drawn by Mrs. Margaret Snow and "The Pirates" drawn by Thomas Edwards. Lithographs by Mrs. Snow were praised in ''The Bower of Taste'' for the 'peculiar softness in her style, a smoothness in the gradations of light and shadow, that give her prints the appearance of finished engravings.'"〔 Some literary historians have seen ''The Bower of Taste'' as lacking in innovation, and editorially conservative. For example: "Mrs. Ware ... offered Boston readers a chaste retreat from a vulgar world. Correct stories, character sketches, literary notices, conservative comment on fashion, some paragraphs about the Boston state, and a poetical section called 'The Recess of the Muses' made up the contents. ... The little periodical was, apparently, too delicately sensitive for a work-a-day world and soon left the field to more robust adventurers."〔 Although ''The Bower'' ceased in May 1830, it was "continued" by another periodical with a new title and editor. "''The Amateur'' is the successor of the ''Bower of Taste''. Mr. (S. ) Hill, the present editor, will, undoubtedly, make the publication what he proposes -- 'a magazine of amusement.'"〔Ladies' Magazine and Literary Gazette, v.3, no.7, July 1830.〕〔(WorldCat ). Retrieved 05-11-2010.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bower of Taste」の詳細全文を読む スポンサード リンク
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